Product test; "Rolling Mill Resources". For sheet metal, metal clay, polymer clay and probably more uses besides.
Through
choice, I have a very basic workshop and outlay of tools and machinary,
but by far my most expensive and indispensable piece of equipment is my
small rolling mill. Not only does it allow me to purchase just a few
basic thicknesses of metal and then roll them down thinner when I need
to, but it is also a great way of embossing texture onto the metal
through the use of materials such as fabrics, feathers, dried plants,
metal scraps and home-made paper stencil designs cut with a scalpel or
laser-cutter, as well as brass plates which I have etched designs
into...there is something deeply satisfying about squashing things
slowly, through a mill......and ending up with magical surfaces on hard
metal...flex those muscles!...(as Olivia Newton John would have said...
probably).
This
time I have managed to get the gap in my mill just right, the design is
crisp and virtually the same dimensions as the original texture
stencil. The straight lines of the geometric pattern are intact. I would
make a note of the dial setting on my mill as regards to this thickness
of copper for this particular design. Rolling Mill Resources say that
the stencils have been produced with the added calculation of
compressing the designs slightly in one direction, so that the
lengthening distortion of rolling results in an accurate impression, a
square should be a square. I found this to be the case and RMR helpfully
print a little arrow on the back of each texture stencil so that you
are aware which direction it should be fed through the mill to
incorporate this feature.
Here is another experiment. The metal which was roll-printed from the stencil is on the left, then a rollprint was taken from that metal print, to create a 'negative'....a roll-print from a roll-print. Below you can see the two pieces of copper being fed into the mill
Finally, for another experiment I wondered if I could get a print by laying the textures face-up on the metal (incorrectly), so that the backs are against the surface of the metal to be embossed...
Above you can see sections of the texture stencils, face up on the metal before going into the mill....
...and here you can see the results, just as crisp and clean as if the papers had been placed face down correctly onto the copper surface, testament to the quality of the card-stock used and the precise cut of the design. Although not photographed, I managed to get a second good roll-print from the stencil. If you like what you see then Rolling Mill Resources are based in the US but can be found on Etsy where they sell their product at a very reasonable price, though if ordering from outside the US, I would be inclined to order at least a handfull of stencils to make the postage worthwhile. I received my package here in the UK in just a week from posting.
I was recently invited to try out a product developed by "Rolling Mill Resources",
who make a wide range of interesting patterned and textured paper
stencils for use with your rolling mill. They use laser cutting
technology to 'etch' the designs into high quality card-stock which you
can then emboss into your silver, brass, gold, copper, aluminium, etc.
Although I haven't tried it, I see no reason why these plates couldn't
also be laquered to seal them and then used with olive-oil resist as
texture plates with precious metal clays and polymer clays. They also
offer a custom service whereby they create texture plates to your
specifications.
In
the package they sent me, were a geometric, organic and script texture,
along with small "depth tester" cards which you can use to calibrate
your mill to the correct pressure for the metal you are embossing into.
There were also instruction and information sheets.
Here is one of the tester cards shown with the annealled metal which I've left oxidised.
The card goes into the mill, texture down against the metal...
...and above you can see the gap I set on this mill....
....to
achieve the results you see here. The metal result on the left, the
'spent' tester in the middle, and a fresh tester on the righthand-side.
You can clearly see that I've set too much pressure, the gap too narrow
on my mill, for this thickness of copper, so I would make a note of the
dial setting on my mill for this thickness and I would be able to use
that as reference in future.
Here
above, I have again set a little too much pressure but despite this,
the designs remain largely un-distorted and are merely enlarged. This
means the card stock is indeed good quality and fit for the job. I have
left the metal oxidised and rubbed back with fine emery so that you can
see the results easily in all the photo's.
Here is another experiment. The metal which was roll-printed from the stencil is on the left, then a rollprint was taken from that metal print, to create a 'negative'....a roll-print from a roll-print. Below you can see the two pieces of copper being fed into the mill
Finally, for another experiment I wondered if I could get a print by laying the textures face-up on the metal (incorrectly), so that the backs are against the surface of the metal to be embossed...
Above you can see sections of the texture stencils, face up on the metal before going into the mill....
...and here you can see the results, just as crisp and clean as if the papers had been placed face down correctly onto the copper surface, testament to the quality of the card-stock used and the precise cut of the design. Although not photographed, I managed to get a second good roll-print from the stencil. If you like what you see then Rolling Mill Resources are based in the US but can be found on Etsy where they sell their product at a very reasonable price, though if ordering from outside the US, I would be inclined to order at least a handfull of stencils to make the postage worthwhile. I received my package here in the UK in just a week from posting.
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