Zentangle design: septembre 2014

by Audrie Magno-Gordon

Use alcohol markers to create a marbled background on glossy cardstock.

Supplies

Alcohol markers (Blendabilities Markers by Stampin' Up! used here)

Rubbing alcohol or colorless blending ink intended for alcohol markers in a spray bottle (safety note: Ranger Blending Solution and alcohol inks contain resins and should not be sprayed)

Glossy cardstock cut to 4 1/4" x 5 1/2"

Quarter sheet of text weight paper for a template

Ziploc-type plastic bag (empty and sealed closed) or other non-porous surface, such as a craft sheet or ceramic tile

Step-by-Step

Step 1
Using a tiny bit of removable tape, secure a quarter sheet of paper to your work surface. This will serve as a template. Cover the template with a Ziploc bag. Use removable tape to secure the bag so it doesn't move.

Begin coloring with alcohol markers directly onto the bag, covering a space equal to the size of the template.
Step 2
Use a variety of markers randomly on the bag. No need to blend them, just scribble them on side-by-side very randomly.
Step 3
Spritz the bag with rubbing alcohol until the inks appears to be wet, and droplets of the liquid are visible on top. You will notice that the edges of the colors will start to blend.
Step 4
Place glossy cardstock glossy side down onto the wet ink. Press the cardstock onto the ink for a few seconds then lift it up to reveal your background.
Use the print as is or repeat this step to add layers of color or fill in missed areas. Mist the inked work surface as needed to revive colors with alcohol.
Step 5
Use the background to complete a card front or scrapbook page.

Video!

Variations

Plan your coloring to complete a scene. For an impressionistic look to any favorite landscape or nature image, stamp the image onto your work surface underneath the plastic, use that image as a guide for color placement.
Spritz a large stamp with rubbing alcohol and lay a completed background panel onto the stamp. An impression of the stamp will appear in your marbled background. Wash the stamp promptly to remove alcohol residue.

A similar look can be achieved by spritzing alcohol through a stencil over a completed background.

ETA: Sorry guys, no post today (Sunday). Hittin' the walk in clinic to check up on this mucky lung thang; it's acting up. And I slept in unexpectedly. (Went to bed at 6:00 last night too. Charles just woke me up worried how I could sleep so long, lol.) I'll catch you tomorrow, though, for some Little Paper Shop fun! :O)

(click the pic to see the texture up close)

Click here to go blogside (from a reader/email)

This one's for you Jamie! You may be sorry you asked about Gesso, heehee. ;o)

The Cuttlebug (or other embossing) technique in this tutorial ("Gesso swiped Dry Embossing") is so easy that it can hardly be called a technique (but it's so fun that i just hafta) You won't believe how fast it is (and no brushes to clean!)

So, Jamie asked What's Gesso?...

The "Short" Answer:

First off, my love gesso of gesso is ineffable. If you tried to take my gesso away forever, I would bite you.I would be all ovah you like a rabid possum! I would rather give up embellishments for life than surrender my gesso. No joke.

Gesso is an artist's primer. In other words, it's like a white chalky paint that makes a flat, or not glossy, tooth (or texture) on the surface of paper, canvas etc... Gesso is also referred to as a "ground." The flat finish it creates lets different mediums (inks, paints, etc.) stick to it. It used to made from animal glue (I believe some gesso still is) but is now primarily acrylic based (Yay for that). Many people use gesso in their art for lots of things other than priming though.

The Long ("Does Mel ever stop talking?") Answer:

The really really really exciting thing is that gesso's acrylic-based nature changes the way inks & markers react with your cardstocks. I've discovered in my mad experiments that Gesso not only creates artsy texture really easily, but it also resists inks and gives you more drying time (...hence more blending time and embossability of S.U. markers & Classic inks. Like in colours with clear embossing powder!!!) It even offers a level of erasability for when you make a colouring mistake!

Sophisticated Layered Looks: Gesso can help you create a palimpsest look--layers of stamping, images, text, collage bits, ... the options are endless. It comes in colours too, but I've only used white.

Simply adding gesso to cardstock in different ways will let you:

The only trick to using gesso is that some inks do not dry on it (SU inks & Tombow markers do not) but CTMH inks do, Copic do, Alcohol ink dries too of course....., so just use the drying inks (Stazon etc) or emboss it. Seems like a drawback but NOOOOoooo. It is Joy with a capital 'jump for'

Clean up: Protect your work surface & wear work clothes. Gesso is a primer so it has staying power. You'll want to clean it off stamps asap, but it comes off okay.

Applications: Use anything! You can scrape it on with cardboard, an acrylic block, a kitchen spatula... you can add it thickly & then stamp in it or roll a stamp wheel in it (that is SO kewl!) Lay lace or fabric in it & pull it off... For brushing it on: different brushes will give varied textures, so it's fun to experiment. It is a good to have one brush dedicated to gesso, since it's harder on them than paint is, but you don't need any brushes for this technique...

(click the pic for an up close look at the texture)

How To Gesso Embossed Paper

(Takes just 2/3 minutes!!!):

Technique Summary:

Step 1) Start with an Embossed piece of Paper
Step 2) Use a scrap of cardboard to drag Gesso over it
Step 3) Use it as is, or ink it up.

Step 1) Start with an Embossed piece of Paper. You could use any paper but the embossing makes it funky. (Put it on a piece of wax paper to protect your work surface if you like. Gesso has staying power.)

This paper was embossed using that handmade embossing plate.
A Grungeboard embossing plate is another DIY option.

Step 2) Use a scrap of cardboard to drag Gesso over it (TIP: Quickly wipe away any globs with your finger or paper towel or whatever.) Then let it dry. It dries almost instantaneously!

Step 3) Use it as is, or ink it up. It'll have a nice texture even when it's white, but you can colour it up with a sponge or whatever. (I found rubbing with a light coloured ink lots gives a nice patina.) This is SU's Sahara Sand.

Optional: